Kwame Nkrumah’s Politico-Cultural Thought and Politics
by Kwame Botwe-Asamoah, 1963
... cultural policy was coordinated in the regions in accord with theNational Theater Movement. This was manifested in the Council’s activities involvingartistic groups during the transitional period in 1961 before it changed into Institute of Kwame nkrumah’s politico-cultural thought and policies ... It was also the period that the National Theater Movement wasmaturing in the regions with the (...)
Roy Travis Biography
by Akin Euba, 1993
The American composer Roy Travis’s interest in the use of African material began in the 1960s when he participated in the African Music Study Group, led by the Ghanaian master drummer, Robert Ayitee, at UCLA.
